Legion World Forums LEGION COMPANION The Anywhere Machine UFO (1970)

My computer was down for a day, and yesterday, while I had virtually nothing to do but watch TV, I decided to dig out arguably the MOST DEPRESSING tv series I had on DVD!

My late friend robin in Wales, not long before he passed away, had become very cynical about Gerry & Sylvia Anderson's shaky marriage, and believed that much of what was seen on UFO was a direct reflection of just how bad things were going in their real personal lives. He once said he felt that several of the earliest episodes filmed were so NEEDLESSLY, POINTLESSLY downbeat and depressing, that he felt that the whole show got off to a rocky start and only barely recovered at all. Some of those earliest episodes, I look at and wonder why the HELL they were ever done the way they were.

If you watch the series in (mostly) production order (the way they are on the DVD set), you can REALLY get a sense of slowly-building continuity, which was destroyed when they juggled the running order to hold the obviously-"lesser" stories back (an act which directly resulted in the NYC ITC execs giving Anderson an ultimatum about "no Earthbound stories" if he wanted to do a 2nd season) while pushng the stronger ones up. Had they never done the "lesser" stories AT ALL, or written them off completely, OR, better yet, given them a LESS-HOPELESS rewrite before filming, UFO might have lasted long enough to resolve it's "big story". I HATE whenever any TV show has one "big story" that is NEVER finished. Who would want to read a novel if the last chapter was missing? (Somebody should have beaten Roy Huggins over the head about this issue. He felt it was a "mistake" to ever have filmed the 2-hour "finale" for his show, THE FUGITIVE. I feel that finale is the ONLY reason I can put up with re-rewatching the 118 episodes that come before those last 2.)

"Identified" starts out with someone recording a film of a UFO landing, them getting shot, and a woman they were with apparently disappearing. This is followed by a scene that, interestingly, is a virtual REPEAT of a near-identical scene in the pilot episode of Irwin Allen's VOYAGE TO THE BOTTOM OF THE SEA. A car driving down a lonely highway is attacked from the air. In both episodes, the motorcycle escort is blown off the road, before the car itself is, killing everyone inside. On VOYAGE, the original Captain of the Seaview was killed, resulting in Lee Crane being recruited to replace him. On VOYAGE, both Ed Straker's commandng officer and a UK Minister are killed in the car, in this case done with MINIATURES, which makes that part of the scene look like we're watching an episode of CAPTAIN SCARLET. It's also interesting that in the CS pilot, the car with Captains Scarlet & Brown was also blown off the road, and both men were killed. Except, they never found Scarlet's original body. (WAS the CS we saw throughout the show the original, or a Mysteron duplicate? Is that why ONLY he survived and broke out of his programming?)

This episode spends an inordinate amount of time spelling out the format with ENDLESS "expositional" dialogue, which gets monotonous, awkward & un-natural by the time it's over. Thank goodness Gerry & Sylvia only worked on this ONE episode. No way to know how much or little they and/or Tony Barwick actually did on the finished screenplay.

Ed Straker (Ed Bishop) nastily chews out his communications man, and makes a cryptic reference to "You think this job is HARD?", and, "Sometimes it hits close to home." This would be followed up directly in 2 later, EXTREMELY-downbeat, cybnical and pointless episodes (which, apparently, a LOT of really cynical viewers somehow actually rate as their favorites-- WHAT IS WRONG with people?).

Alec Freeman (George Sewell) seems more of a lady's man in this than in any later episode. He definitely took a liking to Virginia Lake (Wanda Ventham), though, sadly, we didn't see her again until after the shut-down and change of studios, at which point, George Sewell was gone. I keep thinking any 2nd season should have opened with a scene of both of them meeting up again, just to catch up on things.

We're told the Interceptors have not yet been able to knock out a UFO-- and they don't do it here, either. Skydiver manages to shoot one down, and for the first time, they find an alien pilot. But taking him back to the medical wing, he suddenly dies of OLD AGE. The report shows signs of multiple organ transplants, and the heart is from the girl at the beginning of the episode-- the SISTER of the Skydiver pilot who shot down the UFO! It all ends with Straker endlessly lecturing about how little they know. The whole thing creaks to a halt, emphasized by those ominous end titles. Had the series started this way, but quickly worked its way upward, it might have worked a lot better than it did.

"[Computer Affair" was aired 21st instead of 2nd. (sheesh) Once again, despite the new "Eutronics" radar equipment, all 3 Interceptors miss their target. But worse-- they figure out it's on an collission course, and, STUPIDLY, each Interceptor is given a new course SEPARATELY, and the 3rd one gets it too late and is DESTROYED by the impact! Straker orders the 2 remaining pilot and Lt. Gaye Ellis back to Earth for a formal investigation. Meanwhile, that UFO was only damaged, and lands in Canada, so Straker pulls out all the stops to search the area for it. A computer analysis of psychological questioning reveals an emotional connection between Gaye & pilot Mark Bradley, which, apparently, neither one of them was even aware of at the time of the indicent. A trio of Mobiles (their first appearance on the show) goes after the UFO, and the 1st one is blown to atoms. The 2nd hangs back, and the men go in on foot, and manage to capture its pilot, who DIES in interrogation due to a bad reaction to a truth serum. Alec Freeman actually hands in a resignation, feeling Ed Straker is too hard and inhuman with his people, but after they get a confirmation about Gaye & Mark, he reconsiders. This is PAINFULLY awkward and not well-written at all. In purely strategic terms, with 1 lost interceptor and 1 lost Mobile (4 people killed, not counting the alien), this episode is actually a step BACKWARDS from the pillot!

"Flight Path" combines really, really awful writing and some very clever writing. Meaning, it damn well SHOULD have been a HELL of a lot better than it was. A SHADO member is kidnapped by aliens and implanted with a device that puts him under their power. He in turn BLACKMAILS another SHADOW member ("Paul Roper", played by George Cole) by threatening to kill his young wife if he doesn't turn over some very specific mathematical information. Straker finds out, interrogates the man, then publicly lets him go... at which point, a UFO dive-bombs his car and winds up destroying a gas station. High above, Skydiver DESTROYS the UFO-- the FIRST time they've succeeded in this! This is a strong point for watching these in order, as it's taken 3 whole episodes before they've managed to COMPLETELY blow up a UFO, without it self-destructing on its own. (Stupidly, this one was run 15th instead of 3rd, where it belongs.)

Also stupidly, they didn't send anyone to protect George's wife until she was already murdered.

Following many hard hours of computer analysis, and Ed Straker using a slide rule (and a 3-D model of the Earth, Moon & Sun) Straker finally figures out that a UFO is planning to attack Moonbase by coming in very low to the Moon's surface, with the Sun at its back, at a point where there is so much sunspot activity that their radar will be completely knocked out. Solution? ONE man, out on the surface, with a rocket launcher-- and George volenteers, to "make things right". They don't tell him his wife's dead, and Straker actually says, "Maybe we won't have to." George DESTROYS the UFO with his 2nd shot, but in the explosion, his space suit's damaged, and he dies before help can arrive.

WHO THE F*** writes S*** like this???

Point by point. The second George was contacted by the alien-controlled blackmailer, he should have immediately told both Freeman (his friend) and Straker (their boss). Guards should have been immediately posted around his home (presumably, without his wife knowing about it). When the attacker broke into the woman's house the 2nd time, she shot him with a shotgun blast. He fell to the floor, and she just STOOD there, PETRIFIED with fear, as this half-dead guy crawled across the floor to grab his gun and shoot her dead. HOW in the HELL did she just stand there and LET herself be murdered? She had every chance to pick up the gun and shoot the attacker again, or just kick it out of the way while calling the cops. That one scene alone made me want to THROTTLE whoever wrote this episode, as well as whoever okayed the script. The whole secret attack trajectory thing was clever. But it made ZERO sense to only have ONE man with ONE rocket launcher on the surface. Two or more would have done the job quicker, without further loss of life.

Simply, this episode is as DEPRESSING as it is, because somebody WANTED it that way. NO MATTER how little sense it made.

It makes me think, if they had aired these episodes in the order it was made, they might never have gotten past the first 13.

And I think my analysis and "rewrite" above proves this NEVER needed to be the case.

As it happens, the 4th episode filmed, "Survival", had "Paul Foster" (Michael Billington) lost, believed dead, on the surface of the Moon, forced to get along with a stranded UFO pilot, until they were right on the verge of being rescued. But because his radio was damaged, he couldn't tell them the alien had helped him, and the alien was shot DEAD. On return to Earth, Paul's girlfriend pushed him away because she thought HE WAS DEAD, and he can't explain, because of SHADO's insane level of "security". She changes her mind, but only after he leaves, and has no way to get back in touch with him. That was 4 needlessly downbeat episodes IN A ROW. Seriously-- WTF???

The 5th episode finally broke this streak, when "Exposed" went back and "introduced" Paul Foster as a test pilot who witnessed a UFO, and is infuriated that nobody will do anything about his report. It turns out Straker has him investigated, and goes thru bizarre methods to "recruit" him to SHADO. Apparently, somebody realized the show needed someone like him, and quickly wrote & filmed this "introduction" episode, the only time where production order is ignored for the sake of "continuity". Of course, they ran THIS one 2nd-- instead of 5th (or, 4th, where it sensibly is on the DVD box set).

They screwed with continuity AGAIN when the 6th episode-- "Conflict"-- suddenly reveals that Straker's boss, "General Henderson" (Australian actor Grant Taylor) somehow was NOT killed in that car explosion in the pilot, but severly injured, which was WHY Straker was assigned to head up SHADO. But Henderson lets PERSONAL FRUSTRATION and ENVY get in the way, and he begins a long-running feud with Straker over how SHADO is being run. You just wanna smash the SONOFAB**** in the face for this stupid B***S***. It makes me wonder if Ed Straker & General Henderson aren't somehow supposed to be stand-ins for Gerry Anderson and LEW GRADE. Before this was over, Grade & the people at ITC's New York office would SCREW this entire show ten times over. It's difficult enough to come up with a series idea, get a pilot made, get it sold, and then produce it, and hopefully find an audience & build raitings-- without the PEOPLE AT THE TOP actively going out of their way to COMPLETELY SABOTAGE all your efforts.

I'm a bit torn. I would love to encourage you to keep going with this watch through and mini-reviews BUT I don't want to push you into doing something that is apparently so depressing!

My own introduction to UFO came not through the TV series but through the comic strip stories in the magazine Countdown. They were much more focused on the adventure and the machines that were always a big part of Anderson stuff, and that's still how I think of it today. For years that was all I had plus a novelisation of Survival, and it was quite a shock when I first watched an episode and found it so focused on the trials and tribulations of the characters and the horror aspect, along with the "we're going to lose" feel. Even today I have only watched a handful of episodes.

I would be very interested to read your ongoing thoughts, but only if it is going to end up being somehow a positive experience for you.

"Survival" begins as a direct follow-up up to "Flight Path". Once again, a UFO comes to the Moon flying low over the surface from the direction of the sun, and a different kind of radar interference. This time, it lands, and one of its occupants goes out onto the surface and fires a projectile at a wondow in Moonbase, resulting in explosive decompression and the death of an astronaut. One sudden change in this episode was, Gaye has been replaced as Moonbase Commander by Paul Foster (his first appearance when it was written & filmed). Straker goes to Moonbase to investigate, countermands Foster's orders to seek and destroy, hoping this will be their chance to get their hands on a UFO in the Moon's LACK of atmosphere, since we've seen in "Computer Affair" that the things self-destruct after awhile in Earth's atmosphere.

Foster's friend is killed at the beginning, Foster barely manages to survive by the end, but, the alien who actually saved his life is killed, LOSING them a chance to actually communicate with an alien who might actually want to cooperate. And Paul loses his steady girlfriend at the end, so it's lose-lose-lose.

PLANET OF THE APES was the worst thing to happen not only to sci-fi but movies in general in 1968. For the next decade, TOO MANY mvoies and even some TV shows got downbeat and negative and hopeless. WHO NEEDS or wants that S***? (I read the book back in 1969, and it's NOTHING like the bad hopeless attitude of that F***ing movie.)

Crazy enough, it feels odd to watch "Exposed" before "Survival", even though I know it was intended that way. "Exposed" actually feels like a "2nd pilot", the way "Where No Man Has Gone Before" came after "The Cage". Somebody must have looked at Paul Foster while they were filming "Survival" and realized, "Hey-- THAT's what this show NEEDS!!!" Somebody young and handsome who they could believe was a lady's man (like Kirk), not a hard-nose like Straker or an awkward wanna-be lech like Freeman. I'd forgotten, this is ALSO the episode where they reveal (in one throwaway line of dialogue they snuck in) that "General Henderson" is STILL ALIVE. We saw him return in the NEXT episode filmed.

This is the FIRST TIME we see 3 UFOs approaching Earth at the SAME time! 2 of them get destroyed by Interceptors (a real FIRST!) the 3rd, by Skydiver in upper orbit (well, they've already had a better track record).

The friendship of Straker & Freeman feels more relaxed in this one, we even see Straker SMILE when he shows off his new suit. The strange thing is HOW MUCH of this episode focuses on Foster, putting Straker & Freeman far in the background even more than in "Flight Plan". AND, this one ALSO introduces Dr. Jackson (Vladek Sheybal from FROM RUSSIA WITH LOVE).

I wonder if someone on the production team realized they weren't really doing it right and decided to modify things here, or if someone ABOVE them saw what they were doing and pointed it out? After a lot of bizarre stuff, "Exposed" was the FIRST episode of the show to have anything resembling an "UPBEAT" ending. (It's understandable why they ran it 2nd, but I'd have preferred the 2nd & 3rd episode had never been made at all-- or, been drastically re-written before they were filmed.)

Every story (or nearly every one) needs some kind of tension for dramatic effect, but there should be some kind of resolution that makes you WANT to come back to see more. When they wind up having 2 or more sub-plots running side-by-side, and ALL of them have BAD ENDINGS at the same time... there's a PROBLEM. And this sort of thing wasn't done happening yet by any means.

"Conflict" has the aliens place a device in orbit that's attached to a piece of "space debris" (in this case, a leftover part of Apollo 8) which can attach itself to a spacecraft entering Earth's atmosphere and change its re-entry angle to make it crash. Paul Foster directly disobeys orders to fly another ship back to Earth, but he manually alters his re-entry angle so it's too high and risks going right off into space. When the alien object then changes his angle, it's high enough that this time, he doesn't get killed. Straker's devious mind figures out that the aliens want to use this as a diversion to draw the Interceptors away from the Moon, to clear the space debris from Earth's orbit, so they can sneak in a UFO to attack SHADO HQ. Not bad, although as Moonbase is on the Moon, there's always the problem of it orbitting Earth and therefore NEVER being in the same spot at any given time if or when aliens approach, presumably from the same general direction.

But the MAIN focus of this episode is General James Henderson, who inexplicably has a personal vendetta against Straker and SHADO. He's standing in the way of SHADO getting increased funding, he's looking for any excuse to have Straker removed from command, and he's bull-headedly DISBELIEVING every single thing Straker tells him, accusing him of lying to protect his job, his men, and his organization. The man is clearly insane, when you consider he was nearly killed in "Identified", and if anyone, should be the number one person SUPPORTING everything Straker is doing. In "Confetti Check A-OK" (episode 13 in production order, JUST at the end of the first half) we learn that Henderson was recovering from the car explosion, which is why he was passed over and Straker was unexpectedly promoted into the position of running SHADO, which the two of them worked so hard to make happen. It's NEVER outright explained in the entire series, but one has to read between the lines to realize, Henderson has become frustrated and bitter from being passed over, and he's being completely irrational, taking it out on the one man whose side he should be on the most.

Straker manouevers Henderson into being inside SHADO HQ right at the time he's certain a UFO attack on the base is imminent. And Captain Carlin, piloting Sky One, DESTROYS the UFO right over SHADO HQ (damn, that guy was good at his job, better on average than any of the Interceptor pilots), Henderson actually apologizes and agrees to push for funding for a project to clear all space debris. Straker offers to walk him to his car-- a moment which really shows that Straker IS the bigger person... and Henderson KNOWS it.

Stupidly, this was not the only time Henderson was such a pain-in-the-ass. But, in real life, people like him NEVER learn anything. I've experienced it too many times in my own life.

"The Dalotek Affair" -- told as a "flashback" to an event 6 months earlier (they really were screwing around with the passage of time in some of these early episodes) has the aliens do a fly-by with 3 UFOs, who then turn back. Straker wonders if it was a diversion? IT WAS. A small device (that's 2 in 2 episodes) lands on the Moon which can CUT OFF their radar & communications. Complicating it is a commercial mining operation nearby. Straker & Foster accuse their equipment of using some kind of broadcasting frequency that interferes with SHADO's frequencies. When a Moon shuttle crashes on landing, Foster has the "Dalotek" equipment forcibly removed. But the Dalotek people find the alien device, and mistake it for something "the military" set up. It takes so DAMNED long for anyone to connect that the radio interference started at the exact same time as the "meteor" crashed, it makes everyone on both sides look like IDIOTS. It also makes me think this episode was written for a half-hour slot and then PAINFULLY padded out to an hour.

Once again, the aliens are trying to get around Moonbase's security, but when SHADO blows up the "installation" device, the Interceptors are able to destroy the attacking UFO without a problem.

The OTHER "problem", as some have pointed out, is that once Dalotek's base is damaged in the process, they have to bring its people to the Moonbase... and before sending them back to Earth, inject them with an "amnesia" drug. That's bad enough. But Foster gets romantic with the girl there... then meets up with her on Earth 6 months later and decides to pick up where they left off, even though she has NO memory of ever meeting him. Which seems kinda creepy. Alec Freeman, who watches Paul Foster do this, I suppose, might have felt even creepier if it had been him doing it.

Tracy Reed is the same actress who played George C. Scott's girlfriend in DR. STRANGELOVE.

I was thinking about this again just yesterday... probably the ONLY story I know with a really downbeat ending that I actually LOVE is the 1978 film THE BIG SLEEP. Maybe it was my having seen it in a theatre, and never once getting lost with the complex plot (when virtually EVERY other Raymond Chandler story is an indecipherable mess, even when watched a dozen times). Maybe it was the settings, the fabulous cast, the simple authenticity to the novel (which I READ about a month after seeing the film). Maybe it was Candy Clark's personality somehow coming thru her performance... who knows? I didn't like "Carmen" in the Bogart film, and the version in the BBC radio show was shockingly unhinged. But despite her nutso behavior in the Robert Mitchum film, I found myself LIKING Camilla. So finding out she was the one responsible for EVERYTHING else that got started around her at the end was quite a painful shock to me, even if one friend I shared the film with had said, THREE times while watching, "She's a real whacko!"

I think the bit that really helps (which I'm pretty sure was in the book) is right at the end, when Marlowe tells her sister, "Maybe they can cure her. It's been done." After all the hell the guy saw and went through, he offers a slight ray of hope. That really shows he's not a hopeless cynic, as the version fo Marlowe in the 1975 film FAREWELL MY LOVELY was (played, crazy enough, by the same actor). My Mom having spent so much time in a mental hospital probably had an effect on the way I responded to the film.



My problem with "A Question of Priorities" is twofold. First, Straker's ex-wife is totally unreasonable, and a bad mother. It's not his fault the kid ran out into traffic. And he went out of his way trying to save the boy's life. Yet somehow, she blames HIM for all of it. B***S***. Second, the alien subplot, which pointlessly ends with the guy getting killed before they can meet him. Essentially, they have TWO plots running side-by-side. To have one or the other end badly, to me, as a writer, would be acceptable. To have BOTH of them end badly, is just someone DETERMINED to make a show that's depressing, for the SAKE of being depressing. And yes, I agree with my late friend Robin, this WAS a direct reflection on the disintegration of Gerry & Sylvia's marriage, which apparently had begun to fall apart as far back as THUNDERBIRDS!

I've said it before, if I'd been story editor on that show, and that script had crossed my desk, I'd have left the alien subplot just as it was, but would have ended the other subplot with John being SAVED at the very last minute, and, as a direct result of it, Straker standing up to his ex, TELLING her, "He's MY son, too-- and from now on, I'll see him WHENEVER I WANT TO." This is a man who's entire personal life has been destroyed because of his dedication to his job, and it would have been a wonderfully-positive step to have him alter his priorities just enough to help restore some balance in his life. Instead, the way it plays out, it's one big "F*** YOU" to the characters and the audience. The last time I watched it, I fast-forwarded over all the scenes involvig Straker's wife & son. I don't need to watch that S*** again. (I also skipped the flashback episode about how his marriage disintegrated in the first place. BOTH stories, if watched in production order, come in the first HALF of the run. After that... things finally begin to get better.)

"Ordeal" -- The timeline jumps ahead 2 months and we find Paul Foster has been shuffled around to work with the SkyDiver crew, and Interceptor pilot Waterman has now replaced Carlin as the SkyDiver Captain. (Carlin is never seen again. Was he killed between episodes?) Foster has a furlough coming up, but first, has to spend 2 weeks at SHADO's health clinic. But before that, he goes to a lady friend's house for a wild party with lots of dancing, loud music, and way, way too much drinking. When he shows up for his physical, he's barely coherent. After lots of exercise and a massage, he goes into a "solar shower" (really a steam room). And then the 2nd half of the story starts, when the temperature goes up too high, he can't open the door to get out, an ALIEN walks in and overpowers him, and as he's dragged out, everyone else in the health spa has been killed. They force him into a spacesuit, and he finds himself having to breath LIQUID.

Straker feels Foster was kidnapped to get all his info on SHADO, and so orders Waterman to shoot down the UFO. But... he MISSES. And this is after we've seen, consistently, that SkyDiver has a more successful KILL rate than the Interceptors. The UFO heads off in the opposite direction from the Moon. But then, as it was apparently "damaged" before it ever got to Earth, it comes back, CRASHES on the Moon, somehow Foster escaped alive (HOW??), and SHADO's med team work to get him out of the spacesuit and back to breathing AIR. But as he's choking, he wakes up in the steam room. Yeah. IT WAS ALL A DREAM. Uh huh.

Among many other things, Gerry Anderson had a couple of obsessions. One was, every one of his TV series had at least one "dream" episode, and another was, every one of his series had a "flashback" episode ("clip show"). UFO had both. In fact, UFO's "clip show" doubled as a dream episode! But that was later.

When I saw this for the first time in ages, I got very angry to find out "it was all a dream". My late friend Robin, however, pointed out the implications of where the big story might have been forced to go, IF Waterman had actually NOT shot down the UFO with Foster inside it. He might have been up on charges of insubordination, or incompetence, or removed from duty, or transferred. And come to think of it, when someone mentioned "emotional ties" to Foster, it made me wonder if they were suggesting Waterman was gay. (Who knows?)

KNOWING it's a dream, however, some interesting observations can be made. The aliens KILL everyone at the clinic, escept Foster. He must have a REALLY highly-developed opinion of himself and his own importance. Dr. Frazer (Basil Moss) is in charge of the health farm, and he's the same man Foster met in "Exposed". In the dream, Frazer is KILLED. Later, Dr. Jackson (Vladek Sheybal) supervises getting Foster out of the alien spacesuit-- but this only happens in the dream. It occured to me, Foster re-meeting Frazer may have inspired his subconscious to also remember Jackson.

The UFO was apparently damaged before it ever got to Earth. But we never saw that happen. Dreams usually seem to start "in mid-story", and you have to mentally catch up to what you "missed".

Meanwhile, with Foster in SkyDiver for 2 months, Gay Ellis is back in charge of Moonbase. She'd been in charge for the first 3 episodes, but hadn't been seen there since Paul Foster was introduced. I think Gabrielle Drake is the best-looking woman on this show (at this point), but her character hardly ever seems to exhibit any emotion at all. (She NEVER smiles.)

When we see Straker & Freeman, they're barely registering any emotion at all, which may be how Foster tends to see them.

No matter how you look at this, however, one thing is VERY strange. Generally, when a person dreams, they see things from THEIR OWN point-of-view. But about 80-90% of Foster's dream, he's seeing things from various objective points of view, when HE WASN'T THERE. Which really does suggest this was NOT originally written as a dream episode, but changed to become one very late in the game... probably at Gerry Anderson's insistence. TSK.

I was disappointed in the dream reveal too. It would have been interesting to have Foster kidnapped and somehow escape. They did that later in the comics and it was a good adventure. I've seen a few dream episodes of shows that have been good because the dream had a point but usually it feels like a cheap out by the writer when they have written themselves into a corner.

"The Square Triangle" -- A single UFO approaches on a path to southern England, and Straker decides to let it through, hoping to get his hands on it INTACT, beforer it disintegrates in Earth's atmosphere. He tells Freeman, "We're waging a losing battle here, because we don't know what we're fighting or why." As it happens, the alien kills a game warden, leaves his body in the UFO, then walks off as it EXPLODES. He then walks into a house... and is shot 5 times by the wife of the owner... who was waiting for her husband to come home. The woman-- and her lover-- are politely taken back to SHADO HQ, where Straker explains the situation. "So, everyone's lives are in deadly danger all the time!" He then explains about the amnesia drug. "Would you like some more coffee?" I find that line somehow HILARIOUS. Meanwhile, the husband surprises Foster when he arrives home, and Foster suggests the man return to London, where they'll "send his wife presently". Foster realizes a cold-blooded murder was planned (shades of COLUMBO) but they have no hard evidence, and the epilogue shows the wife some time later standing over her husband's grave.

This entire episode seems a direct follow-up to the last few in a row (if you're watching them in the correct order, as I am). "The Dalotek Affair" introduced the idea of the amnesia drug. People may forget the last 12 hours, but, we never see them confused about why they can't remember those 12 hours or what happened during them. "A Question Of Priorities" had a lone alien land on Earth and then try to contact SHADO, presumably to give them info about exactly what's going on, but, he was killed moments before they could meet! And "Ordeal" showed that Gay Ellis was back in command of Moonbase, while Paul Foster was being shifted around, first spending 2 months in SkyDiver, and now, assigned to SHADO HQ itself. Simple continuity like that was totally destroyed when someone at what passes for a network shuffled the running order like a deck of cards, and trying to figure out a sensible order in like fashion just DOESN'T WORK. The show makes so much more sense simply watching in production order, that, frankly, I was SHOCKED by how much doing this improved the show on pretty much every level.

By this point, they're also getting more recognizable guest-star each episode. This one had Adrienne Corri, Patrick Mower and Alan Cuthbertson, all of whom I know from other things.

They must have really liked actor Anthony Chinn. He played the alien in this episode, returned to play a member of SHADO in "Sub-Smash", and then became a regular on THE PROTECTORS.

Someday when I do rewatch UFO (I have it on DVD) I'll take your advice and watch it in production order. Thanks.

"Court Martial" -- SOMEHOW... a newspaper gets information about when Skydiver is going to surface and rendezvous for supplies. As Paul Foster was the person who transmitted this information, General Henderson (perhaps being resentful of how Foster acted in "Conflict") jumps the gun, accuses him of ESPIONAGE, and demands a Military Court Martial. If found guilty-- AND HE IS-- the sentence is DEATH. You know, this is the kind of thing that makes me wish an alien had actually targetted and taken out Henderson-- a 2nd time-- and succeeded. Alleged "good guys" like this we DON'T F***ING need.

Jackson-- the man who psycho-analyzed Foster when he was being looked into as a possible SHADO recruit-- is the prosecuting attouney. He comes across as far more slimy in this than in any other episode. So much so that I'd describe it as inconsistent character writing.

A large check drawn on a Swiss bank account was also deposited in Foster's account, and he has no idea where it came from.

Despite everything being purely circumstantial evidence, Foster is found guilty, and there's only 14 days to file an appeal.

MEANWHILE... movie director Carl Mason (Neil McCallum, who had a brief stand-out role in THE DEVIL'S DISCIPLE-- no wonder he looked so familiar to me)-- has been trying to talk to Straker for 3 days, and they practically get into a physical altercation before he FINALLY gets to tell the "studio head" that he feels Foster is guilty of STEALING the idea for his movie and selling it to a rival studio. This finally gives Straker a direction to start investigating, and he finds multiple bugging devices in Foster's apartment, tracks them down to a shop that sells such things, and under extreme duress, gets the name of the person who bought them-- "Jane Grant" (the first of the 3 extremely-devious female "Number 2"s in THE PRISONER episode, "Many Happy Returns"). She was only in it for info about the film studio-- the possible-military info was completely as an aside.

Straker manages to covince the woman that if she doesn't sign a statement admitting what she did, "Someone will DIE." He gets the affadavid, and calls Henderson on the phone, only to be told that just as he was signing the paperwork for his appeal, Foster ESCAPED-- ran-- and was SHOT by Shado security.

A thoroughly-depressed Straker goes to see Henderson, hands him the signed confession, and is only then told that Foster was shot with a anasthetic bullet-- Jackson's idea. When Henderson says, "You probably think I'm a bull-headed idiot!", Straker pulls out a pen that recorded his words, and plays them back multiple times right in Henderson's face-- to Jackson's EXTREME amusement. As he leaves, this is probably one of the only times we see Straker smiling-- and Jackson was outright laughing. Maybe he's not afraid he might lose his job by doing so right in Henderson's face.

Foster figures out that an actor's agent who offered to do him a favor was the one who secretly sent him the mysterious check, and he tells the guy's client, "Get yourself a new agent, honey!"

WHO would have imagined such a NASTY, VISCIOUS story as this one, would turn out to be the show's TURNING POINT? "Court Martial" wound up being the MOST UPBEAT, "FUN" episode so far, a full 11 episodes in. After this (not counting the 13th episode, which in more modern days might have been the 1st season finale), things IMPROVED and continued to improve, ALL the way to the end.

"Close Up" -- Straker gets the idea to put a high-tech camera into orbit around the Moon, and have it follow a UFO back to its home planet. I believe an IMDB reviewer (not me) said this entire episode was a complete waste of an hour. Watching it now, I have to agree. On the surface, this almost sounds like a good idea, but the way it's handled, virtually every single part of it winds up making NO SENSE at all.

1- They go through a complex set of manouevers trying to "force" an incoming UFO into a particularly trajectory, and then, have it turn back and head home. WHAT? I've watched this multiple times, and it makes no sense at all. Not only have we previously seen UFOs fly rings around SHADO vehicles, if the thing came to Earth on a particular mission, why would it turn back? The only time we've ever seen UFOs retreat was in "The Dalotek Affair", where the whole idea was the UFOs acting as a diversion to sneak a radio-jamming device onto the Moon's surface without anyone noticing.

2 - I have a hard time believing that the SHADO satellite could travel at a speed to match the UFO, or, that the UFO would not notice it was being followed, ALL THE WAY back to its home planet.

3 - The "defect" in the design which causes depth of field and distance to not be transmitted, so they wind up having no idea what they're looking at, seems so basic and important to the project, I find it hard to believe it would have been overlooked.

At the end, Straker rambles philosophically like we haven't seen him do since the epilogue of "Identified". And, he's talking to Henderson, who calmly agrees to the money needed to fix the problem. I guess after how he acted in "Court Martial", maybe Henderson was beginning to come to his senses about Straker & SHADO.

There's one very awkward scene where Straker has a cup of coffee with Lt. Gay Ellis. She looks uncomfortable the whole time. He tells her she's working too hard, then mentions she's an attractive woman. He then tells Foster not to mis-interpret a conversation by its ending. Looking back at it now, I don't think Straker was coming on to her. I think in light of the HORROR we saw in "A Question Of Priorities", Straker at this point is slowly realizing just how out of balance his own life has been by focusing TOO MUCH on his job, to the total exclusion of everything else. And I suspect he looks at Gay realizes how similar they are on that level, and just wanted to be sympathetic and share some advice based on his own experiences.

"Confetti Check A-OK" -- This is a flashback showing how SHADO was set up, and how Straker's marriage disintegrated-- at least partly due to his MOTHER-IN-LAW. It's clear his father-in-law was more sympathetic toward the situation, probably realizing more than Straker ever did just how much of a problem his wife AND daughter really were.

Apart from that, we see Straker ordering a SHADO operative who's married to take a 2-week furlough. Obviously, he doesn't want the people in his command making the same mistake he did. (And again, this comes right after his conversation with Gay in "Close Up". When these were broadcast, "Close Up" was 11th, "Confetti" was 22nd. Here, they're back-to-back.

"The Responsibilty Seat" -- Straker is interviewed by Jo Fraser (Jane Merrow), about his running a film studio. But after, she leaves her bag in his office, then goes back to retrieve it. On being told about this, Straker gets justifiably paranoid, as her handbag had a tape recorder in it, and while he was out of the office, Lt. Ford called up to his office saying, "Commander Straker". Straker decides to track Fraser down and get the tape back, to avoid any possible security leak (as happened in "Court Martial"). He confronts her in her hotel room, demands the tape back... but then she hits him on the head and runs out. (OOHHH, she SHOULDN'T have done that!!) He goes after her in a high-speed car chase, then, instead of handing her over to the police, has a drink with her... then invites her back to his house for dinner! Watching this right after "Close Up" and "Confetti Check", it's easy to see that focusing too much on his job has been on Straker's mind A LOT. (Stupidly, while this was made 14th, it was aired 25th. Connections between episodes got totally destroyed when they did stuff like that.)

However... first, Straker finds out she lied about working for a wire service, she's only a free-lancer trying to make it in the business. But later, after Miss Ealand has done a voice-security check on her, he learns she has a criminal record a mile long, and he tosses her out-- just as she was planning to go to bed with him. She actually ADMITS she may have considered setting him up for some kind of blackmail scam-- "at first". OHHH... It makes you wonder, when she left her bag in his office, the way it was shot, it made it look like she did it deliberately. But what could she have hoped to record, if she had NO clue beforehand that he was involved with the military?

MEANWHILE... 3 UFOs approach (the first time since "Exposed"), 2 are blown up by the Interceptors, the 3rd gets away. Something pops up on radar, so Alec Freeman orders SkyDiver to check it out, and it's only a weather balloon. But something else is going on, on the moon. A mining truck is heading straight for Moonbase. Turns out it's Russian, Foster talks with their boss, and he can't contact the men onboard. Foster is sent out in a Moonmobile, fires 2 "warning shots" and gets no reaction. Straker orders him to destroy the vehicle, but he replies, "Give me a couple minutes to try something." And he doesn't say what, until his co-pilot tells Straker that Foster is going to try to get onboard the vehicle. He does-- find 2 Russians suffering from an air leak-- and following their boss's instructions, he shuts down the power, avoiding a collission by the smallest distance (but only after getting into a fist-fight with the 2 Russian pilots, who don't realize what's going on). After, the Russian boss says, "Thank you for your cooperation." HAH!

As usual, Foster likes to play things his own way, in defiance of his superior (shades of James Bond & M). The final scene between Straker & Freeman, each man is giving the other more benefit of the doubt that the situation warranted, and you can see just what good friends these guys really are.

As with "A Question Of Priorities", this episode had 2 parallel plotlines going on-- one personal, the other, SHADO related. Unlike that one, here, ONE of the 2 plotlines had a happy ending. REAL PROGRESS, I'd say.

I like to think about how this show might have gone, had they aired the first 13 episodes as a "1st season". Had they done that, this episode would have been the 2nd season opener.

After this, the rest of the series KICKS into HIGH GEAR and never lets up!